Tangled Contrasts, 14x11

Tangled Contrasts, 14x11
Tangled Contrasts, 14x11

Friday, July 24, 2015

Studio Tour, Cookies, Mountains and Faces.

Here is the "Birds Eye View" from the Wild Walk in Tupper Lake. This 12x28 piece has been framed and ready to be seen tomorrow during Artist at Work Studio Tour.

Bird's Eye View
And a dose of faces from Face to Face. As usual I'm asking if anyone knows every one in the group. Let me know! Help out the framing by going clicking here: https://adirondackgives.org/campaigns/face-face-drawn-saranac-lake-lets-get-framed/#backers



Yes I will have cookies. The oven is preheating as I write. Tour is 10-5 tomorrow, Saturday, July 25 or you can check my website for weekly hours.

I am heading out to Morristown for a Plein Air event to benefit Morristown Library this coming week. The big river is a sight there and Amish are everywhere. Looking forward to just painting.

PS. I have a very nervous Pheobe who took over a Robins nest on my porch. She is going to be upset all day. Her clutch has finally hatched. She has just not gotten used to us walking on the porch.

Monday, July 20, 2015

How Not to Procrastinate - Allegedly.

Who knows all these folks? They are some of the very earliest sitters for Face to Face.
So there a a qazillion cool tools on the inter-web,  as Chris calls it - to set up schedules and announce events, calculate exercise and calorie intake. The list goes on… The one that got me is the tool counting down to November 12, 2015. 114 days to go til Face to Face opens in the library.

There are 48 days to go til the end of the online Adirondack Gives campaign that has been set up to help fund framing all 185 faces. It is 27% funded as of this particular moment.
 https://adirondackgives.org/campaigns/face-face-drawn-saranac-lake-lets-get-framed/

I have lost track of how many people have stopped at my studio to pick up their gift for sitting last year - a full size digital portrait print for each person who sat for two hours - plus or minus.

Still early in the framing, there are 22 framed today - only 165 more to frame.

Stats and numbers are not my forte. I hate doing books but I am good at framing and designing a space to hang art. I do like schedules so this cool little tool telling me that there are 114 days left is a great prod for me to keep at the frame work.

"Yeah but you're writing right now. What's with that?" you say.

Good question.

This coming Saturday, July 25, is the first Last Saturday Artist at Work Studio Tour for 2015. Come visit an artist at work. Pick up your portrait print. See some plein air work of the area. Marvel at how much space 185 frames takes up.

AND… If you cannot make it Saturday check my website. The front page has studio hours posted weekly - http://dianeleifheit.com/

113 and 1/2 days to go…

Thursday, July 16, 2015

Zigi's Exhibit or what I do on the side

     When I walked into the LPCA gallery late Monday afternoon I realized I was not prepared for the job that awaited me. Art had arrived from Zigi Ben-Haim for exhibit wrapped in tons of bubble wrap and sheets of heavy plastic. Three 7-foot sculptures were standing uncermoniously in the space. The young man who delivered the work from New York City pointed out some tips for handling of the work. He was anxious to take off back to the city.

     I unwrapped a couple of pieces. It become obvious this would not be a classic hanging of paintings. The majority of pieces are on custom aluminum frames and not wired to hang. It would be a balancing act between two nails to hang most pieces. The bubble level would be indispensable.

     More interesting to me though was the work itself. As the installer for the art I have looked at Zigi's work for the last two days — longer than anyone will for the duration of the exhibit with perhaps exception of the box office staff.

     While the work was still in plastic I was really not sure of what I was looking at. But the process of unwrapping and hanging revealed an interesting exhibit of current works by a renowned artist. The work is like a shape shifter: first you see one thing - then another. Organic shapes move literally and figuratively in aluminum, canvas, burlap, hardware cloth, light, shadow and paint.
 
Zigi Ben-Haim: Made in the USA - at Lake Placid Center for the Arts
      The largest piece - 80 inches by 144 inches - was hung first. Standing back from it I saw it would provide the viewer with recognizable icons providing a culmination or primer, depending on ones point of view, for the rest of the exhibit.

     Zigi's work is not anything like the work I do but by being so close to the work for the three-day installation, I found it was an eye opener, providing an appreciation of another artists process and conceptualization of work. It is definitely worth a visit to the gallery for art enthusiasts and regional artists.


Sunday, July 12, 2015

"Life moves pretty fast. If you don't stop and look around once in a while, you could miss it." — Ferris

Four huge boxes of frames on the porch at 815 SR86  site of the studio
It took most of the morning but I got this pile o' frames into my studio and can still walk around in it! They are stashed (?) in three areas.

Thank goodness they will end up living elsewhere in 123 days. Why?, you say, are you counting days? Well it seems like a good impetus to keep my focus on what is a very repetitive job. I do enjoy each painting as I am framing it so it is not without benefits.

Meantime summer seems to have arrived with all it's insane busy-ness. The discipline needed to shrug all obligations to family and framing and go out and paint would seem hard to come by. My eyes are compelling me to go out and get that view. Summer is so ethereal and very short here.

Must take advantage of the day.

PS Mark K. piggy-backed a small frame order with this company.  Just a comparison.

Tuesday, July 7, 2015

Faces and a Wild Walk

Here are 4 people who participated in Face to Face: Drawn to Saranac Lake. Do you know who they are? Three I never met before they came to sit for me. I will post more later this week. You will receive one of my art cards if you get it right.

Meantime: Here is a mini  – the first little painting made on the Wild Walk during members week last Thursday before it rained - yet again.

 Birds' Eye View from the Wild Walk - Mini plein air pastel 4x8
I also just finished the large painting I started there. It will be posted in my Thumbprints Newsletter. Sign up for the newsletter on my website, www.dianeleifheit.com

The large piece looks different from the mini. But they both are about what till now was only the birds point of view.

It was interesting listening to visitors commenting on the view there, "O there's Whiteface!" and "There is Mt. Morris." It made me realize if one lives in town, any town, it takes an effort to get out and see that one lives in the mountains. I get to see the ranges all the time. From where I live the ride to town and back is the best in the Adirondacks.

The view was to the East here. The clouds ploughed in from the west, devouring the broken promise of blue skies. Had to wrap everything up quick. No cover on the Wild Walk.

The Wild Walk is an amazing structure – all handicap accessible. Go check it it out sometime.

Sunday, May 3, 2015

Travel is Fatal…


     We have been traveling this spring in Costa Rica and Mexico. It was the first time in Costa Rica and it was an eye opening journey. We rented a four wheel drive vehicle. Don't kid yourself – you need this to get around. Roads are archaic. The alternative would have been a bus or hired drivers which would have put one of us in the back seat. We did 1100 kilometers in three weeks over several well traveled routes through the western side of this country the size of West Virgina.

    Envision contemplating volcanoes, Oz green hillsides, cerulean lakes, cloud forests, rivers flowing into the ocean, beaches rocked by earthquakes, waterfalls waiting for rainy season, walls of fish, dolphins dancing on the waves, turtles drifting lazily by the boat, and tons of birds including the illusive quetzal.

Same Quetzal as Turquoise.
Quetzal as green.
     Then there are butterflies. There is one that is transparent - really. There is the morpho, a jewel. Its outside wing color is like an old leaf. The inside a miraculous blue that is like a window to a sky in another universe. Its wing span is about 6-7 inches and it does its best to steal your eyes when it floats by then vanishes in the undergrowth. The new one added to our list is named a Postman Moth but it flies during the day. There was a hatch day - we drove through thousands of them for an hour and a half.
Montezuma beach/Pacific & Postman Moth

     Ticos, the term Costa Ricans call themselves, are an open and welcoming people. We lunched with a young couple we met on the ferry across Nicoya Bay. We were schooled in the eco philosophy of the country by a guide on a mission to change views to help the the environment. Another guide knew exactly where and why the quetzal could be found. Ate in a soda-a local eatery-where we found the ultimate fruit smoothies for breakfasts while people watching Ticos and tourists in Montezuma.


Volcano Arenal - Dawn - Pastel Plein Air, Costa Rica. 
     Yes I painted there. But it is too much to take in and cameras hardly do justice. Every turn of the road revealed yet another amazing view. Flowers are everywhere, looking like truck loads of plastic flowers have been randomly sling-shot all over the country side during a seventh inning stretch.

      Came home to find the Adirondacks was finally shedding the most mean winter endured in a long time. Chickadees have forgivingly returned to the feeder that went empty after our departure. Crocus and snowdrops obligingly whisper the promise of spring. The lakes are "out" and deep blue. It is good to be home.

      Now back to the studio and Face to Face the exhibit, about 2/3s of the portraits have been printed, and awaiting pick up.  I have posted hours on my website for when I will be in the studio, barring weather too good not to paint. Hint: Rainy days are good to call and stop in.

     Time to get back to work. Happy Spring!



Thursday, February 26, 2015

To Sleep, Perchance…

We are such stuff
 
As dreams are made on, and our little life

Is rounded with a sleep. Sir, I am vexed.

Bear with my weakness. My old brain is troubled.

Be not disturbed with my infirmity.

If you be pleased, retire into my cell

And there repose. A turn or two I’ll walk

To still my beating mind.

Prospero, The Tempest, Will Shakespeare

There was an interesting article in the New York Times Sunday Review on the benefit of sleep about a year ago. The illustration was what caught my eye: a layered cutaway of the head with little cleaner people sweeping the detritus of the day out of the brain.

The article instigated two thoughts. First, the illustration was telling the story well enough to compel reading about sleep. It made me wonder how I could have made that idea work and then about how paintings should work. It also made me consider the value of sleep.

Murder of Crows, Heaven Hill  12x18 pastel
First thought, a painting can tell a story, one story is usually best, something that draws the viewer in, instigates involvement by the viewer with the piece. A successful painting will provoke emotion, resonance, revere, annoyance. One of my paintings "Murder of Crows" was viewed by someone who said it annoyed him because it reminded him of shoveling snow. That kind of reaction is fascinating. Another series of paintings when viewed in exhibition provoked the feeling of being swirled around in the same space. One piece had a viewer comment on feeling the wind.

The article was questioning why we, as human beings, need sleep in spite of the fact that it would have seemed detrimental for our survival to be asleep when evolving in the savanna. The writer went in one direction explaining how sleep clears out accumulations of chemicals made during the day while using the awake brain. These chemicals, if left lying around in our heads, could trigger dementia and other aged brain issues. How, perhaps there is something that could be taken to alleviate the need for sleep - in spite of the fact that if sleep is what is beneficial for the brain, that there needs to be some pharmaceutical that could do the same thing. Shades of 5 Hour Energy ughh.

The article did not even come close to the idea of an afternoon nap or a brief walk to clean up some of the days accumulations. Did not recommend more than in passing, actual sleep really being a good idea for your health.

So I will. Not that I practice what I preach in any consistent way. A cat nap in the afternoon will often allow me to complete that insane to-do list I conjure for myself everyday. An afternoon nap turns tired children into charming, lovely creatures for the duration of a day so why not adults, who surely would appreciate it.

As for sleep at night, it is hardly recommended to look at emails just prior to heading to bed nor tackle the pile of bills or other bookwork. That will usually defeat the whole purpose of slipping into darkness and quiet of the wee hours.

Contemplation 20x16 pastel
Sleep, if one gets enough, is where some images appear, stories begin and creativity is renewed. Dreams that are vaguely remembered color the next day. Whether those peculiar, worrisome sorts or the nebulous, colored ideas that arrive after all those little guys have swept out the junk from yesterday, that is the plus of enough sleep in the personal equation.

Not enough sleep and things seem to move too slowly. I become convinced I am unable to achieve what needs to be done and somehow not quite enough umphh is left for the effort needed to actually create.

I do wish for more time in the day, more energy for the creativity. I need to resign myself to more creativity initiated with less waking time.

Methinks Master Will was on to something.

"To sleep perchance to dream—ay, there’s the rub, 

For in that sleep of death what dreams may come

When we have shuffled off this mortal coil,

Must give us pause. There’s the respect

That makes calamity of so long life."

Hamlet, Will Shakespeare