The Witching Hour

The elusive hour of sunset and moonrise has been my own challenge for about a year. Light still falls on the land yet the moon is rapidly pulling the cloak of evening over our shoulders.

My easel was set up in the back field of Crystal Springs Dairy. I had arranged with the farmer Pete Donnelly for a fairly big group of painters from Eric Rhoads Publishers Invitational to come and be there for the "super moon" rising in June. The other artists arrived shortly after I had.

Pete had just finished baling hay in that field. It had been touch n go for haying this past June because it had been raining seemingly non-stop. The break in the weather was predicted to last a few days, long enough to cut, dry and bale. Then we artists took advantage of a sweet smelling evening and set out to capture very fast light changes in pastel, watercolor and oil.

This work is my record of the day.

"June Moon Rising at Sunset" 12x9 June Calendar Pic

"June Moon Rising at Sunset" is available at the Adirondack Artists' Guild or you may contact me for purchase. It is also the June calendar pic for 2014.

On the Fifth Day of Christmas… May - an August dusk

So here is a piece that makes one wonder, hmm color where is she going with this one?

"Dusk at Barnum" is a challenge I set for myself. How can I paint as the sun is setting, capture the color as it changes almost by the minute and stay true to what I am seeing?

"Dusk at Barnum" 20x16 May Calendar Pic

This painting was made when I was just beginning to explore this question. First of all 20x16! What was I thinking? In pastel a painting becomes stroke by stroke, some broad, most smaller, it is a lot of territory to cover and capture when it is truly color in motion.

It helps to be familiar with the territory. This spot is another familiar roadside view extraordinaire. I have passed it plenty of times but actually committing to the familiar is another story.

This work was part of the 2012 Plein Air Fest. To my surprise it sold within an hour of the opening Sunday show. I did not even have 24 hours with the work! Wow!

All in all the experience of plein air painting during an event it a blur. One paints, tunes on the spot. Go back to the studio to frame (and yes that is a bit more complicated for pastel i.e. glass, spacers, etc.). Then hang all within 24 hours. It is not the usual vision of an artist working on piece in a studio for days or months. Hence the spontaneity. Not a bad thing at all.

Do remember; Made in less that 24 hours? And a few of decades.

Aaahh April, the month that keeps you guessing.

Aprils painting was made in August during the Adirondack Plein Air Festival in Saranac Lake.

There is this slow moving creek/river that I drive by at least a million times a year. One drives by and you turn your head the full 90 degrees just to look at the scene. At one point this fall I was heading home during a more than spectacular sunset and had to stop to take reference photos. But that is a story for another day.

"In the Flow"11x14 April Calendar Pic

I finally made a point to go and paint the view that wants me to drive off the road at least 5 times a week. Not an easy spot to paint. I had to set my easel up on a 45 degree angle bank. Wished I had the agility of a mountain goat to stay stable in such a precarious setup. It was a lovely day, sun on my back, cool air in my face. 

This particular day I was very sad - thinking of a good friend who passed away that week. I made it for him. I hope he is smiling wherever he is.

Currently this painting "In the Flow" is available at The Adirondack Artists' Guild in Saranac Lake.

Day Three: Sooo Cold

It was minus 17 Fahrenheit Saturday morning. But enough with the weather talk. It's the Adirondacks and it is what is. However… the March painting will allow me to think of warmer climes.

"Mexican Sky Dust" 9x12 March Calendar Pic

You have heard about this one: Mexican Sky Dust.  My husband and I have been fortunate enough to travel to Mexico during March, the notorious mud season at home. We escape to much warmer air, humidity, sunshine. All good things. This painting made plein air in the early hours of morning near the ocean is the fat luminous color that I love about pastel. So when you come across this one in a calendar of mostly northern paintings, remember it is a big world out there.

This painting is available unframed starting at $100. Contact me and it will go to the highest bidder. Good luck! Stay Warm.

That After Shot of the Kitchen and February Pin up

After shot. Note the snow outside. When I wrote this entry

After- Faucet Light Water Yeah!

Snow outside.

it was 0 degrees out at 5 pm. Plus winter storm warnings. Winter in the Adirondacks.  Looking to be shoveling on Sunday.

Heading to breakfast with Santa at the Adirondack Carousel this morning with my grandgirl Isabella. After breakfast it is back to work with my open house. Studio Hours 11- 5 today.

The February calendar painting:  "A Day Better Than This?"
This painting, 10x21, was made in June 2013 at the Saranac Lake Fish and Game Club. The day was a day with in and out clouds. There were about 50 or more artists here at this location for the Publishers Invitational of Plein Air magazine organized by Eric Rhoads.  My notion of plein air is I am not a camera. Though there where plenty of folks and easels out on that little ridge, I can choose not to have them in the painting. Like ignoring the power lines in other venues (Yes let's bury those.)

"A Day Better Than This?" 10x22 February Calendar Pic

"A Day Better Than This?"is available at the Adirondack Artists Guild in Saranac Lake or at my website: dianeleifheit.com.

The painting is framed with museum glass, a linen liner and a deep chestnut color frame.
Museum glass is an amazing piece of glazing, totally see through without glare. the beauty of the painting is there for all to see. Cost a pretty penny but so worth it.

One Hundred Forty Days – Finally have water!

We re-did our kitchen of 33 years this summer. Did most the work ourselves. Drove my surveyor husband crazy because this house must have been built as an afterthought – no thought to straight, square or level. Ah the joys of owning a home that is well over 100 years old and started as a barn.

Before shot after the walls came down and the insulation removed

One hundred forty days washing dishes in the bathroom sink, cooking outside on the porch.
OK, so I finally can wash dishes again. Yeah! Got a faucet and a sink. We had a Thanksgiving that couldn't be beat.
This project has been a bit pre-occupying to say the least…

But! That does not mean I have not been painting.

Or travelling.

Here is early before shot. A new shot tomorrow.

The 2014 calendar is here too! You can purchase it at my website: DianeLeifheit.com

Let me tell you about the first painting, the January pin-up.
This past summer while my husband was making a wall in the kitchen become plumb, I took off for a pastel workshop in France with Sally Strand. How to travel with pastels and figuring out how small I could make my package to bring with me overseas will come sometime in January.

"Haut Baran" 11x14 January Calendar Pic

The group stayed in this gorgeous place in Southwestern France near Duraval. The property is in a North South oriented valley.  This painting 'Haut Baran' is one of the recently hayed fields. Warm, yes, a good thing to think about on cold January days.

"Haut Baran " is an 11x14 plein air pastel. It is available for purchase at dianeleifheit.com or at my studio in Gabriels NY.

Twelve paintings. Twelve days til Christmas. Tomorrow: the February pinup.

Sky dust of Mexico

 A giant experiment, this. First, the iPad then try and write while I'm in Mexico. I did a sky impression. The more skies that I approach the more I realize that it is only the impression I can grab. Moves too fast. Watch. In theory that helps engage the idea. Then move quickly. Keep looking, trying to see then commit to the impression. Let the dust fall where it may.
There Mexican morning.
Next try to capture the charming yellow throated warbler that visits the patio.